ANTE MARINOVIC: Was born in 1947 on the Island of Korcula (Croatia), in a beautiful Mediterranean fishing town called Vela Luka. He graduated from the School of Applied Arts in Split, Croatia, and continued his studies, receiving a Degree in Fine Art at the Academy of Fine Arts in Belgrade, Yugoslavia. Subsequently, he received the Maestro de la Pietra degree from the Association of Marble Sculptors in Verona, Italy.
Ante has participated in several Symposiums of International Sculptors, and has received much critical acclaim for his monumental sculptures in the United States, Luxembourg, Italy, Mexico, Canada, Japan, Switzerland, Croatia and Yugoslavia. He achieved status of "a renowned artist" from the Association of artists in Yugoslavia.
Ante emigrated to the United States in 1992 and settled in San Diego because of its familiar coastal landscape and climate. His work has been widely exhibited around the world. It has been collected by many museums internationally and is owned by many prestigious collections such as the Vatican in Rome, the City of Los Angeles, and the Microsoft Corporation. Among his many large-scale public art pieces is a recently completed monumental installation of stone and aluminum sculpture at the entrance to the new Denver Broncos football stadium, Coors Field in Denver, Colorado
KAREN RYER: Karen turned to stone sculpture after nearly 30 years as an attorney. Her classes emphasize use of simple tools, soft stone, and beginning techniques. She has enjoyed success as a stone carver, is co-owner of Stone Sculptors Supplies and Withywindle Gallery in Guerneville, CA, and has shown in galleries and shows throughout the San Francisco Bay Area. She is a student of Ante Marinovic.
MATT AUVINEN: . Most recently Art Instructor at Chico State University.
He is a California Sculptor. Matt lived in Pietrasanta for eight years and taught sculpture in Florence, Italy for eleven years. He now resides in northern California. Matt translated Francesco Carradori's Elementary Instructions Of Students Of Sculpture, 1802. This book was published by Getty Publications in 2002.
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